mobile lighting Tag

IMG_0578 Life is all about time, or rather the lack of, right? Time is always the most scarce resource, even if you have all the time in the world, others around you, or even mother nature does not. As a photographer, "good light" naturally only happens in small fragments of time, and we counter this by using off-camera light, even when we don't need to in order to get even "better" light. I think we need to put all our cancer curing resources and task them into figuring out how to extend really nice sunsets to say... twice as long (I kid.... but seriously). Here is a behind the scenes video I cut together today, it showcases a little bit of the stuff we did while we were running around the island.

matty_12.5.10 064 I covered a fundraising fashion show for Swish, a salon in downtown Tacoma. It was short and sweet, but a lot of cool hair and makeup concepts, the people at Swish definitely are on their game. It was my first visit there, so I wasn't sure exactly what to expect. It's a cool place, has a nice, fresh vibe as you enter. Lots of fun colors and things spread around the space, a location that I'd actually like to shoot in. I spent a couple minutes taking shots of the staff getting the girls ready. I've started taking a new approach with covering events... As much as I like to not use any lighting for events, as I feel that it's much more of a documentary approach to the photography rather than a staged shoot, but a lot of the times the lighting is just bad. Let me take that back... not bad, but terrible. Lighting is either so dim that I have to make adjustments to the camera to counter, and I get grainy images, or the lighting is really harsh, forming terrible shadows on the subjects. This location was half and half, the salon area had decent lighting, but the runway location what about the worse I'd ever seen. Hence the first time I started working with an assistant roaming alongside me with a light. More specifically, a hot shoe flash unit stuffed into a 2' x 2' softbox. Lots of people and busyness, so no light stands here. We were moving too quickly, so Alice, my assistant, hand-held the lighting rig. This gave me incredible flexibility and speed to execute quick, off-the-hip shots that turned out pretty good. Shots that look nice and crisp, and allowing a bit of lighting control over my rather out-of-control environment. If you are interested in this highly mobile lighting stuff, I have a post coming very soon that goes into great detail on this topic (also happens to be the same setup I used for the shoots on the Maui trip). Now back to the event...