Author: Matt

matty_10.18.10 037 Meet Pearl, my brand new 2011 Honda CR-Z. She arrived about a week ago, straight off of the truck, seats still covered in plastic when I sat inside. I had to order her straight from the Honda factory, as there was only ONE of these cars in the entire state that was the model and color that I was after, and it got snatched up the same day I went to get it. Worked out for the better, cause there is just something cool about being the first one to sit in the car after it is delivered. Being that we live in Washington and we are heading into the rainiest part of the year, I figured it best to do a photo shoot with the car right away while it's nice and shiny and the weather was still decent. Now... as cool as this car is, Honda just failed to deliver a good marketing package with it, at least visually. To make your decision about the car via Honda's website and not in person would be a tragedy. It's such a beautiful car, with striking lines and curves... they just don't translate well in Honda's photo set. I'm not saying I took better overall photos of the car, but at least mine look "real." The photos on their site are SO over-processed, almost have an HDR feel to them that completely disconnect the raw visuals from the car. If you go to the site you'll see exactly what I mean, they look like artists renditions of the car. I could see if a car wasn't all that it was cracked up to be, so marketing teams would do their best to give an ok car an awesome look in the marketing. But I'd say Honda did the exact opposite here, the photos simply fail the car in most ways.

6-canonMerlin Been integrating more video work in with my clients. I'm experiencing that once business clients know that I can shoot/cut video along side the photos, they ask for it. And why not? At a flip of a switch, I can go from photos to video, both top quality products out of the same device, pretty neat. I say that loosely, although you can make the transition to capturing photos or video with a flip of a switch, there is a bit more to it than that. Obviously photos and video capturing have a lot in common, but as much as they have in common they also have just as much that separates the two arts. First, you have a completely different selection process for what to capture in each medium. Some things are best captured with photos, some with video. Understanding and getting a feel for working to each medium's strengths will greatly improve efficiency and the overall product given to the client. With photos, you have the luxury and power of flash/strobes to blast light, greater controlling your environment. With video, you are stuck with continuous light, which also has it's strengths as well.

Months ago, the Emergency Food Network, a non-profit food organization in Tacoma, tasked me with an on-going photography project. The project ultimately grew into something larger, incorporating video as well. Working with EFN, I visited their location, harvest fields, and surrounding food banks, capturing all...

matty_9.25.10 061 - Version 2 Visited a newly developed park down on the Tacoma waterfront with Alyssa for her senior pictures. After looking through these photos, you might be like "...uh... waterfront? There is not a single photo here with water." I'd probably be thinking the same thing. Yes, this is a park right on the water, however, the pieces of the park that we used to compose Alyssa's photos didn't showcase the water. It was about 5pm and very bright out still. The better shots captured where I was using my light to control exposure on Alyssa. We first shot amongst these stone pillars that are staggered about on this path. I shot these mostly from below Alyssa, giving these a very non-Washington feel, almost like a Arizona type setting with just the pillars in the background.

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Thought I'd throw a little behind the scenes video together for you guys. This kinda shows what all goes on in a "Matty Photography" shoot. Good friend and video director, Andy Lahmann, will often come to assist on my Bellingham shoots. I'll toss him my Canon 7D and ask him to shoot some BTS pics and video. He always captures some good stuff. We had a lot of laughs, got some great shots, and ended with a happy client. Booyah.

matty_9.11.10_ 529 I'm really happy with how this batch of photos turned out with the Upfront. I've done the marketing photography for the Upfront Theatre for about a year now, a handful of shoots completed within that time. But this set really came together well. I guess that boils down to two critical things, if you ask me. Myself, mainly a location photographer, love to work with interesting environments, colors, textures, etc. The Upfront theater is kind of the exact opposite of what I look for when I'm out and about shooting. That is a plain stage, plain walls, plain background to the stage. Not that that's a bad thing for the Upfront, that puts all the attention on the improv players, which is exactly where it should be, but makes my job a little more challenging in making an overall visually interesting photograph. Like most insightful photographers should, if they are not "feeling" a background/location, they switch it up, but I do not have this option here. So, I had to tackle this from a different approach. Now, not only am I to make these visually engaging in a fairly plain environment, I also have to ensure that I can capture comedy effectively in a photograph. There is something about comedy that is best translated in motion and sound, and photos... well photos, they kinda take a back seat in that art form. However, if done right, photos can be well-timed and capture some great expressions. So, the two things that I think came together on this shoot to take photos in this environment to the next level... 1.) My lighting and photographic approach - I've slowly adjusted my lighting to best capture facial expressions as well as the rest of the body(s). Simple feat maybe if you have a single person or even two standing in single spot. But these are all over the place, covering the distance of the entire stage. A lot of challenges come into play at that point with lighting position, angles, the inverse square law, etc. Played with different lenses, perspectives, angles, etc from the camera end of things. The end result, I found some things that will forever help me in the realm of shooting comedy, simply put. Things that will be my default starting point when shooting this style. Reason 2.) The upfront players came at me with some great material/scenarios to shoot. The combination made for some excellent material for marketing.

matty_9.11.10_ 768 I'm gonna bet that is the first time most of you have heard the name "Kaimi" (Ki-e-me), at least it was a first for me. Hearing it kinda inspires me to name my kid(s) something exotic, that is, if I ever get around to making a couple little Matty's. Boy... what a handful they will be. I shutter, roll my eyes, and smile all at the same time at the thought of a couple miniature me's running around. You'll know their my kids cause they'll be the ones on the kid leashes that are disguised as a monkey hugging the kid, have cool-aid mustache stains, and lacking the ability to hold still. The leashes will never have a second of slack in the line, almost like a sled dog constantly trying to push forward. According to my parents, I was walking/running at 8 months old, and I was quite the handful. I distinctly remember a story they told me about a day that I played so hard and non-stop that when they got me home, I climbed onto the couch, and while on my knees I fell asleep before my head hit the cushion on my way down, like a falling tree. Man, I wish I could have seen that. Wow, sorry... way off topic here. Kaimi, a senior this year in Bellingham. We decided on a local park that provided a variety of styles. Started with this wood walking bridge, had some character. Varied the lighting here between both a very natural and dramatic look.

matty_8.29.10_ 120 A couple weeks ago, I spent some time with Grant, a senior this year, as well as an aspiring model. I have to admit, this is the first modeling/senior picture session I've done. It was setup more for a foundation for Grant's modeling portfolio, and we bent it a little to work for senior photos as well. We spent a little time on white seamless and then moved to some more colorful backgrounds. The interesting thing to note here is that we brought the seamless environment right to the same location. Roll of white paper, hanging stands, large flat surface, and there ya go. Two completely different shooting environments in the exact same location. Kinda funny to think that behind that clean white paper are walls covered in graffiti.

matty_8.22.10_ 050

CLICK FOR CAMP PHOENIX GALLERY

Camp Phoenix is a summer getaway event for burned children. They come from all over the nation, a few outside the nation, to enjoy a week with fellow burn victims. It's a place where they don't have to feel alone, singled-out, and can embrace in the similarities they have with other children who have gone through the same experience of being burned. They can enjoy the week full of activities and not feel the stresses of normal everyday life where they no doubt have to deal with the difficulty of living in such a superficial society. The camp is put on by the Burned Children Recovery Foundation every summer, led by founder and president Michael Mathis. Mike is also a burn victim, who's efforts have generated the awareness that have made Camp Phoenix and the BCRF possible. The BCRF had some major good news this summer with some awesome contributions donated via the surrounding community. One such donation came in the form of a $130,000 check, thanks to Ryan Stiles and his hard-working crew. If you sift back a few posts, you'll see one on the Ryan Stiles Celebrity Golf Classic. All proceeds from the golfing event, as well as a full weekend of fund-raising events, were donated to the BCRF. I was more than happy to donate a few hours to capture both the fund-raising weekend, as well as this opening day of camp to pay thanks to all of the community who put their time, money, and effort into the BCRF.

matty_8.22.10_ 514 A photographer can be asked to capture a vast array of people, places, and things. Usually, they all fall into the normal realm. You can throw normal out the window when a comedian books you for a couple hours. Enter Stephen, a comedian regularly found generating laughs in the Bellingham area. I actually first saw Stephen perform well over a year ago at the improv Upfront Theatre, and I have to admit, I thought he was the funniest performer in the building that night. I've done a couple shoots for the Upfront now, assembling some fun shots for marketing material, so it seems that the Theatre's performers are becoming quite partial to my work. Don't mind it one bit either, the comedy shoots are always a good time. I end up laughing through the shoots as I'm clicking away.

Before today, any user surfin' my portfolio page on a mobile device incapable of playing flash saw a large blank screen. To be more specific, nothing. My portfolio slideshow is powered by flash, but as of today, I have good news for all those using...

  matty_8.29.10_ 197Just for fun post... had to post some pics up of this graffiti wall in Tacoma. Some of the local talent dedicated an entire wall to Alice in Wonderland. This thing is huge, and very well done. It's about 20 feet high, and I don't know how wide. The photo below is a compilation of 4 photos stitched together. Click on it to see a larger version.

matty_8.20.10_ 084 Meet the Williams family. I had the pleasure of shooting the group a week or so ago in their local neighborhood park in Federal Way. They were fun to shoot, very easy-going family. The park was quite pleasant, it gave us lots of options for some nice compositions. I will also run with places that give my subjects a prop to around with, it gives them something to do, and makes the subjects look way more natural posing for a photo. Even if that means just a tree, like below, it's a good place to start our left most subject. Cause five people just standing around in the middle of a field is just kinda... silly. Had a nice sun setting, so used it as my back light for a bit.

matty_8.21.10_ 004 Very, very rarely do I come across a location shoot where the ever adaptable light stand just can't cut the mustard when I need to hang a light. The only time I find myself unable to use a light stand is when I simply don't have enough room to squeeze a light stand into a composition due to various constraints. It can be tricky, and at times, you end up having to change up your shot to a less ideal composition to acoomodate light stands where you need them. Last weekend, I didn't have that option, I couldn't change up my shot even if I wanted to. You've heard me say it many times... I love location photography. It's always something new, fresh, and pushes your photographic work to a dynamic range whether you like it or not. To be able to walk on to a location, one that you've never seen before, and it's your job to tell a story with a photograph. To create and control light and execute proper exposure for an inspiring photograph within just a couple minutes after arriving is challenging and something I love doing. It starts with seeing what you have to work with, asking yourself a bunch of questions, and visualizing the desired end product.

matty_8.22.10_ 546 It was a busy week/weekend that started in Tacoma and ended up in Bellingham. Family portraits, marketing photography for both the Emergency Food Network as well as a budding comedian, volunteer work for the Burned Children Recovery Foundation, and a couple completed shoots for the Active Series. Phew, the cameras were busy, got some amazing stuff. Through the week, my photography led me on a journey that created a lot of inspiring photographs as well as invoking a lot of emotion in myself through it all. I found myself intensely focused on the active series shoots, laughing with families and comedians as I captured them, and felt extremely fortunate for my health, while being truly touched as I photographed children who have unfortunately had to go through, and will continue, to travel the painful and tough road as burn survivors. So needless to say, be on the lookout for those sets of pics.

IMG_7850 So throughout my life, I've occasionally owned venus flytraps. I'm not what you'd call a "plant guy" by any means, in fact, the only plants I've ever purchased for myself are flytraps. I'm sure most of you all know that these are not your normal, give water, give sunlight kinda plant. Of course the flytrap requires both water and light, but these things eat bugs! Come on, that's just cool. Ok... maybe I'm just too much of a boy still, but it's fun as heck to watch. These things use the traps to catch bugs, seal up, and literally liquify said bug for food. Evolution... you are scary scary thing. Oh, and if you are reading this and going "why did this Matt guy tag this post as a gear post," just wait for it.

matty_8.11.10_ 010 Walking out the door the other morning, I spotted this dewy spider web. The wet morning air had formed super small beads of waters along the entire web, as well as a couple larger drops. A full screen view reveals the detail and reflection in even the smallest beads of water, hence the reason I'll be releasing this photo in an upcoming wallpaper release. It will feature various non-portraiture photos taken in the last six months or so. Be on the lookout for that download, and enjoy the pics.

matty_6.16.10_ 130 Shooting in a white seamless environment, a standard for modeling and product photography portfolios, is a pretty straight forward process. Throw a subject on a huge sheet of white paper, light the model, light the white paper to blow it out white, creating a white abyss around your subject. I've shot seamless for years, it's appropriate for so many shoots, yet I've been shooting more seamless lately with all but the key light off, not blasting that background with a ton of light. This brings a lot more... what I'd like to call intimacy into the composition. Varying your light and subject distance from the background, you get varying degrees and gradients of light falloff on the background. I loved how this set came out. Seamless with just a single key light on the subject.

matty_7.11.10_ 381 I've been trying to work more children photos into my portfolio, and had a fun idea. A shoot like this really pays off when you put in the extra prep work. Having finalized the fairy concept for the two girls, we set out for fairy outfits. We ended up ordering costumes off of a year-round halloween shop online, and waiting for those to come in. I scouted some nearby wooded areas for a good location a week or two ahead of time, planned out right time of day for falling light in the event I wanted to pull in some of the sun light for illuminating the surrounding woods in the background.

matty_8.1.10_ 004 So living in the North end of Tacoma has a few perks, one being the great views of the Narrows bridges and the sunsets that are typically photo-worthy. I still appreciate each and every one as it casts brilliant yellow, orange, and red light through my living room. For an hour's time, the setting sun breathes an amazing aura into the house before tucking behind the mountainscape. This last Sunday was a different story though. A haze lingered through the entire day, nothing spectacular for us PNW'ers, but the sunset started to look more like an angry moon, as the thick cloud cover allowed me to look straight at a fire red sun (I'm sure not doctor recommended, looking at it). It was cool looking enough to make me bust out the camera and snap a few shots. So... here they are. It was solid red, even when high in the sky at 7pm, and as it crept closer to the horizon it started to find some break in the clouds and showed a little orange.