Matty Blog

upfrontPress1 Spotted this the other day, I landed the cover of Cascadia Weekly again. I want to say it was a little over a year the last time my work was on the cover. Cascadia Weekly magazine that runs up in the Bellingham area. The Upfront Theatre is one of my commercial clients. They are keeping the people laughing, I keep capturing, and there you have it. The Upfront is fairly young, only been around for a handful of years, but they are without a doubt growing and growing in popularity. Like a snowball on a very gradual hill, you can see the growth in attendance from month-to-month. It's so deserving too, they have some fantastic comedic talent there, and I'm just not saying that 'cause I take their photos. I've come walking out of their shows with my face hurting from a straight hour of laughing, and on more than one occasion. I don't see that play slowing down any time soon. They have a great thing going, and that is clear, as you can see with them on the cover of Cascadia, again. I've made sure to photograph the cast on white seamless during the last couple shoots, as it's bulletproof, versatile marketing imagery. Ironically, it's about the easiest setup to do once you get the process of balancing the lighting under your belt. I've seen this particular style of my work with them on just about everything - flyers, drink menus, and... magazines. It just works.

matty_9.2.11_ 284 Commercial work, mini sessions, weddings, and more all in the same week. The last month has been a crazy mix of work, if it weren't for iCal keeping my schedule and head together, I wouldn't know what mode to wake up in. It's an interesting thing, switching it up from shooting food products in the studio to children in the park the next day. Clientele interaction, lighting, and photographic approaches... the whole game changes with the wildly different jobs. One thing is for sure, all the variety keeps me on my toes, and... consequently keeping me away from the blog as of late. Speaking of variety, the mini sessions have been bringing just that. From a single person to the full family shoots, I've been shooting it all and at a few different locations. The kids always bring unexpected surprises. They are definitely a challenge, but a welcome one, because they provide hilarious expressions when they come out of their shell. Couple goofy ones I've taken over the last week in the post, along with a young man I captured down at Ruston Way. Plenty of bloggin' to come on that later down the road.

postcard-4inx6in-h-front-01 My work is starting to ramp-up with London Couture, one of my large commercial clients. One of the first photo shoots we had was for marketing a fundraising event they are hosting, Strutt For A Mutt (yes, it's intentionally spelled wrong). The owner, a giant dog lover and overall kind person, is holding this event with 100% of proceeds going to the metro animal shelter. This is the second annual for this event, which I was not around for the first one. When the event was brought up in a meeting, we mentioned how ads and marketing were going to made. Prior to my being a part of the team, London Couture was left with scavenging the internet for passable images to use for their graphic design. With me around now, we can take idea from concept, to photo shoot, to graphic design without depending on any other resources. This is the real fun part for me. They showed me last year's logo, which like I said, had a random image off of the internet. The key part of the imagery, a fashionably savvy woman carrying a shopping bad with dog leading her on a leashed (all silhouetted). Bad habits had them going to the internet once again, looking for a "better" image to use for this year's design, and that is where I grabbed the wheel on the operation. "Why not just grab a model, some clothes out of the store, a couple of your dogs, and head down to my studio and do this right," were the words out of my mouth. Not only should we use our photographic resources for the big things, but everything, big or small. All of the suggested items were very easy to reach and doing the shoot ourselves would ensure it's done right, and most importantly, the image is OURS, and we can continue to use it or other work we produce marketing material.

matty_8.6.11_ 217 So a few months ago, I was struck by an idea that quite honestly upset me because I hadn't thought of it sooner. That idea? Shirts. Shirts with my logos on it. A vain idea? Maybe a little, but I work some pretty large events sometimes. It's not like I sport my own shirt, strut up to a random person and go, "Yep, (sigh) I don't know if you know this... but I'm kind of a big deal" (looking off into distance and thumb pointing to my own logo on chest). Sometimes I'm up working my lighting magic in front of crowds prior to said events starting, where I literally have 750 - 1,000 sets of eyes on me as they anxiously await the start of the event. Why would I be up in the lime light, doing lighting photography? My clients will be working/promoting themselves at events, they hire me to cover them working the events, and sometimes we get to have a bit of fun on the venue's "stage." This means me, lightings, lots of gear, and staged photo shoots upfront. I'm sure most of the people who are there are wondering what the hell is going on, maybe curious what and why I'm taking photos, and I bet some are wondering what these photos are turning out like. How would they ever get that chance when they don't have a clue of who I am or where to look?  It's not like I grab I mic, turn the to crowd, "I'm Matty, that was my show, checkout my site, goodnight!" Shirts are a far classier approach, don't cha think? Those whose interests are perked, can look closer and read my logo.

matty_7.12.11_ 307 I have the pleasure of working with a brand-new restaurant, even before it's open the doors for business. It goes without saying that there is a lot of time, effort, and money that goes into getting a business like this launched, but it's critical it is done right, and thankfully this owner understands that. It's always going to be way harder to just slap something together real quick for the sake of speeding up processes, and then coming back around and tackling things all over again once the dust settles. Aside from this being a super unprofessional approach, it's a killer on the business' branding momentum. Right out of the gates, the day a business opens up, people will associate things with that place. The food, the menus, the music playing, the signage, the customer service, and even the color of the paint on the walls. You start changing all that stuff up a couple months after opening for business, changing your own consistency and branding, I think that you'll loose a lot of consistency in your customers, especially your recognizability. Besides, you wanna blow the socks off of your customers from day one, give them a true reason to keep coming back. You don't cut corners to quickly open your doors only to tell your customers things will get better here soon, so hang tight. In meeting with Darrin, the owner of Amerawcan Bistro, I knew right away that he wanted to make his place truly unique. Aside from him already offering a rare style of food and a great menu, he wanted the entire customer experience to be something people talk about after they eat there. We sat down and mapped out a branding style and message we wanted to send, in a visual sense, to accomplish this goal. I LOVE working with businesses in creating a branding image. Whether I am helping them with more than just photography or not, it's important that I fully understand what the end product needs to look like, as it's critical for properly executed photography. Photography produced with the final branding goal in-mind is clutch. Understanding what styles and colors menus, logos, and websites use will influence how the photography is executed. When done right, the photos are dropped right into the marketing material seamlessly, and looks flat-out impressive. You look like you got your shit together, and the truth is, when it looks like that, you probably do. It speaks volumes from the rest of your business, "come eat here, we care, we are professionals, what can we do to make this a better place for you." Honestly, I was super excited about being a part of this project from the beginning, and not having to worry about transitioning the business out of an old marketing image. A clean slate.

matty_7.15.11_ 609 In my opinion, there is no better way to spend an evening than to be laughing the whole time. Life is just way too short to not enjoy it and make the most out of it. Laughter makes us feel good, brings people together, and on this particular evening, laughter raised a boat load of money for a great cause. In front of a sold-out crowd, Ryan Stiles and Colin Mochrie played in the beautiful Mt. Baker theatre. The quick-witted duo even had me laughing as I was capturing the action. The show's proceeds went towards the Burned Children Recovery Foundation. This show was the first of three days of fundraising for the organization, thanks to Ryan and his team. The theatre itself was fun to photograph, the interior lighting design was well-thoughtout.

matty_6.27.11_ 172 Another round of punch card photo shoots for Smokin' Hot Espresso, one of my regular clients. Bikini baristas have been around for a while now, kinda almost old news, right? Everyone went the extra mile to dress up and keep their customers guessing with fun outfits when the bikini barista stands hit and were all the talk. As the controversy over the coffee stands slowly fades to a mild "eh, whatever," the girls themselves who work the stands slip into lack luster effort with their themed "costumes," giving away to simple swim suits most of the time. This is not the case any longer with Smokin' Hot Espresso. They are bringing themes back AND sexy back (take that Justin Timberlake). This means your nurses, maids, cowgirls, cops... the list goes on of sexed-up outfits, you'll see them all at Smokin' Hot. This is one thing that there is not a lack of at this business, they really like to keep there customers happy with the themes, the punch cards, the calendars. They understand it's more than just an eye candy experience for a lot of their customers, and they want to make it fun by doing the little things for everyone who stops by. I'd imagine it is quite the expense for a business to keep a team of baristas in coordinated costumes so that they have copies of every costume and are in unison.

And the weekend begins with a bang. Photographed a sold out show tonight at the Mt. Baker Theater. This being the first of three events that make up the Ryan Stiles Golf Classic weekend of fundraising. Ryan Stiles and Colin Mochrie played in front of the packed theater, generating plenty of laughs. All of the ticket sales going towards the fundraising event. The Ryan Stiles crew asked if I'd oversee the photography needs for the event and I said yes. Donating my time for the weekend will produce a lot of great photography for the organization, providing plenty of memories and marketing material for years to come. 700 photographs dumped off of my two cameras tonight. Ouch, there's a few hours in post production... I'm going to guess that the weekend's total will come in around 3,000ish. Loved working in the Mt. Baker Theater. What a beautiful structure. Attention was paid to details and you can tell. Not a bad seat in the house either.

matty_7.1.11_ 184 During my stay in Arizona, I spent time in both Flagstaff and Phoenix. I spent the first couple days catching-up with some distant family who live in Flagstaff. The McKone family were a big help for me, as I wanted to photograph some of the surrounding area, but aside from the Grand Canyon, I didn't have a clue on what was around, so I didn't know where to start. Luckily, Rod and Ann Marie, along with their two sons, Richie and Mike, knew plenty of locations to take me. First thing was first, we wanted to make a new family portrait for the troupe. So, after shortly after pulling into flagstaff after a 21-hour drive, we were back in the car headed for Sedona. I travel a quite a bit for my work, but the bulk is done all in Washington, so my environmental equilibrium never gets too rattled. Extreme environment, weather, temperature, altitude changes, and even sunrise and sunset times were all way off from the norm for me. Predictability of the photographic outcome was kinda non-existent, and it being my first day in the place, taking a family portrait, I had no idea what kind of photos we were going to walk away with. I didn't even know what the final location for the photos would be, what the background was going to be composed of, if the sun was going to be in front or behind the subjects. We packed the car up with people and gear and hit the road

matty_7.2.11_ 126 As fast as the trip arrived, it has gone just a quickly. The trip to Arizona for some work, some vaca time, and if other photo opportunities presented themselves I'd take them. But... when it's 110 degrees out, you aren't exactly hunting for them. Sitting inside of the hotel room, it's easy to say, "yes, let's go do a shoot!" The second you open the door of your A/C'd room, the heat smacks your body with the mind-changing power that takes photographic ambitions and melts them away, leaving the sole desire to jump in the pool. The heat consumes your mind just like when you have to go the bathroom really bad, with concentration lost, all you can think about is your body trying to escape it. That's pretty much how my time in Phoenix has gone. I'm guessing a lot of you heard or read about the haboob that blew through Phoenix. A haboob is a giant dust storm, and this one was a mile high and about 100 miles wide, so yeah... it was pretty crazy. People have lived here their whole lives and said they've never seen anything like it. I guess I'm just that lucky of a guy. We were out eating when it came in, and we and to try and drive home in it. The dust was so thick that I missed a couple turns back to the hotel.

matty_7.4.11_ 002 First day here in Phoenix, spending most of the day relaxing by the pool and trying to stay cool in the 100+ temps. How do you people handle these extreme temps for extended periods of time?! Did you get lost in the desert and just give up trying to find a way out? Anywho, it's nice for like... a week, max, and after that I'm done. So it's the fourth of July. If you could pick a couple locations where you can count on a nice, dry evening for a fireworks show, I bet Arizona would probably be on that list. Well, just so happens I'm in Arizona, Phoenix of all places, and we had an amazing lightning storm roll through. I couldn't imagine a fireworks show took place tonight, cause it was raining hardcore (think that's why they call it a monsoon). Restricted to the hotel room, all I could do was watch and listen as nature put on it's own fourth show. I tossed a camera on a tripod and attempted to capture some bolts of lightning off the back porch. It was a small window of the sky to capture, but I did get a couple captures. Nothing special, just something fun.

matty_7.2.11_ 132 A few days into my stay here in Arizona. Couldn't pass up the opportunity to photograph the Grand Canyon. Talk about a giant hole in the ground. Really makes you appreciate time and how little humans have spent on this planet, looking at the gapping hole in the earth, a product of 17 million years of erosion by the Colorado River. Talk about perspective... Photo above of yours truly, snapping some photos from one of the viewpoints along the route. Little warm on the journey out, indicating 103 degrees during a pitstop. Completed a family portrait shoot the other day in Sedona. The background looks fake, in fact, I bet some people might just automatically assume the photos are photoshopped. It was scenic to say the least. Those photos are coming soon to the blog. I hoping to squeeze in some other portraits while I'm here if the opportunity arises. Stay tuned for more from Arizona.

matty_5.21.11_ 208 Portraiture, it's a pretty simple idea... taking photos of people. Wait... it's not so easy... dang it. As simple as a portrait concept may be, anyone who has consciously gone out and attempted to take photos with a purpose finds out real quick it is not such a simple job. The translation from idea to materialization is not so simple and quite hard to make these two matchup well. We are talking nearly infinite avenues in which to photograph a person when factors like location of subject, style of lighting, actions of subject, etc. come into play. It's telling a visual story, no words need be spoken. What kind of story do you want to tell for viewing eyes? The idea drives the photographic work, sculpts the final product. On the topic of bringing mental visions to live, it goes beyond, "hey, I want to photograph _____," and loosely photographing a subject matter for a few hours in a location that roughly works and produces the basic idea. No, this rough/loose approach won't work 90% of the time for those who want that image in their mind. It's really drilling down, not compromising, nailing that exact image in your head. Is the image in your head the image that you want to produce, or simply an inspiring idea to branch-out to some other visual? How do you make this all come together in the concept and planning stages so that you setup for success at the actual shoot? These are things I ask myself, being realistic, and not expecting magic to happen without giving a major contribution on my behalf before I even walk in to the shoot.

IMG_1137 A few months ago, I began a relationship with Talk It Up TV, a video production business in Bellingham. I produce on-location photography for the team, capturing behind the scenes stuff, fun things that catch my eye, etc. They'll use the photography both on their website as well as some stills in the shows themselves. It's been fun, it always brings something fresh for me to capture. My favorite shoot to-date was with Jesse Brand, a talented country artist who is steadily making his claim to fame in the music industry. Better yet, he is from the small town of Ferndale (if you don't know the place, it's one of those you swear you could toss a rock from one side and hit the other end of town). Talk TV got whiff that he was going to be in the area and snagged an interview with him. The Talk TV productions are swift, always around two hours for a shoot, from arriving and scoping out the environment, to shooting and packing back up. They are quick and dirty productions, but they always amazingly piece together an entertaining segment. This leaves my shooting fairly light, I kinda play the fly on the wall for most of the shoots, taking a snap when I can. It's a challenge to capture a good chunk of visually engaging materials since I can't be popping off flashes, heck, even taking pictures in general when they are filming (the shutter on my camera is pretty loud, and it's not a good practice to have a camera shutter competing with the voices of our interview). The photos are hit and miss, and I'm ok with that, it's what I have to work with.

matty_6.18.11_ 027 These photos are a result of a slow Saturday evening. My weekends are usually booked with clients, in and out of town, lots of driving, shooting, and long days. So when a weekend comes around when I don't have to leave town or have a group of shoots, it kind of freaks me out. Hence the result of this last Saturday. Did a bit of photography studio training for a commercial client's employees, and a bit of graphic design, but the later half of the evening left me wanting to photograph something, something new. I decided to freeze water in motion, cause... well, sometimes it's nice to take a break from portraiture. This is one of the things I mention in my workshops when talking about advantages and disadvantages of photography and cameras in relation to the human eye and our perception. Sure, you can tell someone that they can freeze motion with a camera, and they'll most likely think of catching someone laughing or someone jumping in mid air. That's fun and all, but man... it gets a lot more intense and interesting than that. I'm talking about magic that can happen while playing with 1/8,000th of a second captures. At these speeds you can literally see science, the whole action/reaction sequence at play.

track A pop, a flash, a split second later, a photograph is made. But this photograph... it's got some spice to it, something you can't see with your eyes, and there is a lot more going on than you might think in order to make that photograph. Spoiler alert... it's off-camera flash lighting. Most of us know about flash, and how it "helps" us take photos, but most don't know what you can do with it when you know enough to control flash and manipulate your environment (photographically). I'll spare you non-photographers the details, but this is the method I use 85% of the time I have a camera in front of my face. A literal carload of lighting equipment follows me to every shoot. It's a giant pain in the ass, a couple hundred pounds of equipment, cords, battery packs, etc. to lug around from shoot to shoot, but in the end, all of it is worth it, well worth it. Photos with or without lighting is a night-and-day difference. To light, or not to light, it's not really a question in my book, as I'm lighting my compositions every chance I get. After the first shoot I ever did with off-camera lighting a few years back, I was hooked, and I haven't looked back since. These are the photos that make people stop and look, appreciate the uniqueness that otherwise couldn't have been achieved without some kind of lighting intervention/manipulation.

matty_6.3.11_ 127 Project Showcase made it's appearance last Friday at the Toledo High School as Andy and I spent the day capturing photo and video content and talking to the entire student body at an assembly. We were on a wickedly crammed schedule. Our goal was to come down and create some powerful, dramatic photographs to display in the community, photos of various students in specific compositions, and get everyone pumped up (which it totally will). Somehow, we decided that 11 of these deliberate, high-caliber shoots could be done in one day. That's right, 11 shoots, 11 different locations, situations, students, all with their own specific idea to showcase, and all executed in an 8 hour timeline. No, we didn't scout the day before, we didn't map it all out, but we did have a history of knowing the school from our days as students there, so we felt it wasn't too necessary. All we had was a piece of paper with the basic subject matter for each concept. It was a run-and-gun situation, which gave the day a little more excitement/stress sprinkled on top with such a hefty goal. Oh, if you are totally lost on what the heck I'm talking about, visit ProjectShowcase.org. So, before the first school bell rang, we were already headed to our first shoot location. Luckily, the school staff pre-selected students for our basic concepts, and the entire school was aware and extremely accommodating of our little circus act going on that day. The staff also appointed us with 5 student helpers for the day. Thank God too, cause I had a stupid amount of gear to lug around... 11 times. Setup, teardown, and packing gets a little crazy with so much stuff, so the extra hands were super appreciated. A little training on the side and the helpers were breaking down my lighting gear and packing by the third shoot all by themselves, it was a well-oiled machine. They really did a great job and saved us a ton of time, making our crazy goal reachable.

matty_5.14.11_ 224 Last month, one of my regular clients, Tiare Floral Design, was chosen to accent the Gala Fundraiser at the Northwest African American Museum with his floral designs. Owner, Tomasi Boselawa, asked me to attend so that I could photograph his work that would be spread throughout the museum. I have captured Tomasi's work many times, but this was the first at a live event, as all the other occasions were in a staged setting and lighting. This time around I'd be capturing it with the existing lighting. The assignment was just that - capture the flowers in an event setting, to showcase this in a realistic event environment. It's funny how you have to present things to people like this, as if seeing well-photographed floral designs in a studio doesn't translate to the possibility of it sitting on a table at an event. But I get it, and I was happy to attend and photograph the designs in such an environment.

toledoClouds No, not "old school" as in an old photograph, or even a comedy movie reference, but literally... old school. Like... driving back to the small town I attended high school at, a place I've maybe visited twice since graduating about 11 years ago now. A defining moment I think is brewing in this old town. It's something you can kinda smell in the air, lots of exciting things just around the corner for this place. In short, the town of Toledo, WA is hurtin'. The community as a whole (including schools, residents, and the local businesses) is slowly eroding away, something Toledo has witnessed within the towns that share it's very boarders. People new and old, past and present residents don't want to see it fade away in the wind, and they are trying to do something about it. They've created "vision: Toledo," a group of community members who are pulling together to see what they can do inject life back into Toledo. Being a past resident and student myself, I found it important to do what I could to join the movement. I think attending a small school, actually getting to call everyone in the school by their first names, literally knowing each and every person in the school, and feeling that true sense of community is a privilege. I've moved a lot in my life and I got a steady taste of larger schools. In the bigger places it seems like you are just another kid in the giant herd, another tally to an already large number of students, and never really getting that sense of community, cause... well that community is just so big you never really get the full scope of things. I made the conscious decision to attend the Toledo school, see what all the small town fuss was about. Turns out it really was a different kind of experience, something that felt more meaningful, more substantial. Everything from having a better relationship with all the teachers, to sports, to not having to use last names with every peer reference... it was nice. I think I turned out different, better than I would have than if I had attended a larger school, maybe even leaving school feeling like I had a better grasp on my own identity.

matty_5.21.11_-328 Keeping the ball rolling, the camera clicking, and the flashes poppin' this week up in Bellingham with quite the variety of shoots. Completed a photo/video shoot with a tango couple, and you'll see that content soon. Until then, here are some BTS photos from the shoot! The colorful/ugly drapes in the background windows are not really drapes, just fabric we've clamped in front of the windows to block the daylight so that we could blackout the room, improvising in a not-so-ideal location. What's up with the funky couch? Well... I just found in hanging out in the hallway, I liked it, I worked it in the shoot.